Theater Review: ‘Much Ado’ at The Old Globe: Everyone is a Fool for Love
Kathleen Marshall’s version of ‘Much Ado’ is a funny, gorgeous, and emotionally resonant production.
Kathleen Marshall’s version of ‘Much Ado’ is a funny, gorgeous, and emotionally resonant production.
The show is a charming homage to those first heady days of marriage, and what happens when reality starts to settle in.
Paula Vogel’s new play, Indecent, is a vivid, entertaining and sad page-turner.
Jim Cummings as the voices of Pooh and Tigger is outstanding. He matches the original cartoons and it’s almost like Sterling Holloway (the original voice of Pooh) never died.
Whether you’re young or old, the rhythm is definitely going to get you by the end of On Your Feet!, The Emilio and Gloria Estefan Broadway Musical that just arrived at the Civic Theater.
While it’s not as fun as the original, it’s absolutely a good upper to the downer ending of Infinity War.
When Shadow and LLana are together, they make quite a pair. Especially during smile-inducing number, ‘Shall We Dance?’
The cast of kids are the the reason you’ll enjoy the show. Each one is as talented – and funny – as the next
The film provides a breezy and entertaining time capsule into that era. One where Carr was truly a king and, if you’re a fan of old-school Hollywood tales, one where he deserves to be remembered.
Acting coach Warner Loughlin has written a wonderful new book that debunks the nonsense of the “tortured actor.”
Anton Chekhov’s The Seagull is a masterpiece, let’s just put that out there. But was it a good idea to turn it into a film?
The film picks up momentum about halfway through and that’s where it finally gets fun.
Terrence McNally has had one heck of a life and director Jeff Kaufman manages to showcase that in his wonderful documentary, Every Act of Life.
The film is a nice insight into the man and Perlman is a delight to watch.
Wes Anderson’s latest stop-motion film is a love letter to pooches everywhere.
Sexton was a working actress and is now an acting coach and acting teacher, so she knows what she’s talking about.
Director Steve Sullivan, uses old footage and Sievey’s own archives to paint an inspiring story of someone, who, no matter what the consequences, forged his own path in the world.
Kelly is terrific and shows a real flair for the kind of low-key comedy in the film.
The film is oddly motivating, yet after all the soul-searching and all the interviews, we’re left with an ending that’s a bit abrupt. But, the lead-up, like his life, is what’s really the point.
Kirkwood paints a vivid picture. You can visualize the cabin and her dialogue is brisk and reveal so much about her characters.