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Review: ‘X-Men: Days of Future Past’

20th Century FOX should just give the keys to their X-Kingdom to Bryan Singer. Let him do whatever he wants with the series because clearly he’s the only one who can put mutants on film with any success. With the first X-Men and the terrific X2, he showed what he

Review: ‘Godzilla’

Dear Godzilla, I went to see your movie the other night. I’ve loved you since I was a kid and I was super excited to see you on the big screen again but I have to ask… where were you? The movie is called Godzilla… but you were barely in

Theatre Review: ‘Mud Blue Sky’ at San Diego’s Moxie Theatre

Ninety percent of Mud Blue Sky, which opened last week at San Diego’s MOXIE Theatre, is set in a small, almost cramped hotel room near Chicago’s O’Hare airport. But out of that tiny space comes some really terrific performances. The play, which is having its West Coast premiere, was written

Review: Steve Coogan in ‘Alan Partridge’

I’ve never seen Steve Coogan as Alan Partridge. I’ve wanted to check them out but you know how it goes… it’s on the list of things you want to watch but you just never get around to watching. But, after watching Coogan in the wonderful film, The Trip, and Philomena

SXSW Review: Jon Favreau’s ‘Chef’

As much as I like most of the big-budget films that Jon Favreau has directed, if he just stuck to smaller, personal films like Chef, you would never hear a complaint from me. Chef, written, directed and starring Favreau, is a little gem of a movie. Though, to be honest,

Review: ‘Elaine Stritch: Shoot Me’

This is really Elaine Stritch‘s world and we’re all living in it. I can honestly say this after watching the excellent and brutally honest documentary about her life, Elaine Stritch: Shoot Me. The film looks back on her amazing life and career as follows her as she is beginning to

Review: ‘Dying City’ / ‘Two Rooms’ at the Sargent Theater (NYC)

In recent years The Seeing Place has been pairing plays by different playwrights with thematic similarities together in repertory. Through hard work and persistence they have been granted the rights to a number of acclaimed plays, and the current productions maintain that high quality of material – Christopher Shinn’s Dying

Book Review: ‘Monologues for Every Audition’ by Glenn Alterman

I hate monologues. Always have. It’s just so unnatural to stand there before a casting director or agent and talk to someone that isn’t there. And to do it out of context? Ugh, the worst. Plus, it’s always hard to find a good one. If you’re like me, you constantly

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