Christoph Waltz: “I don’t believe in good actor, bad actor”
Christoph Waltz is blunt about his feelings when it comes to whether an actor is good or bad — he only questions an actor’s competence and ability to pull off a role.
Christoph Waltz is blunt about his feelings when it comes to whether an actor is good or bad — he only questions an actor’s competence and ability to pull off a role.
Henry spoke about how “listening” influences his acting choices and why he finds theater so exhilarating.
Crabtree-Ireland said that AI could not only replace most of the work for voice actors, but also manipulate their voices to create content without their consent.
Lane talks about the early beginnings of his one-man show, Triple Threat, playing people from his life (including younger versions of himself) and why he didn’t want to sugar-coat his story.
Richard Hicks chats about the challenges casting the show auditioning with self-tapes, getting re-directed and more.
As crazy as the political landscape in America is right now, re-introducing the 1969 musical 1776 to the masses was one heck of a good idea. This version of the show, though, comes with a Twist: an all female and gender non-conforming cast.
The miniseries forced Hauser to expand his range into playing a character coming from an extremely dark place.
Donna Benedicto is a Filipina Canadian who decided to make a switch from full-time singing to pursue acting in 2013 because she saw a gap in Asian representation.
Lilah Fitzgerald discusses her love for Ghoulia in MONSTER HIGH, her role in Bob Odenkirk’s LUCKY HANK and the world of self-taping auditions
Jeremy Strong speaks about what frightened him about the role, and the challenge of playing a character very close to the director.