‘The (curious case of the) Watson Intelligence’ (Merrick and the Bailout of Wall Street)
“I mean look, we’ve all been lulled into a false sense of security, me included.”
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Ian McKellen on Working with Child Actors and How He Transitioned from a Stage Actor to a Screen Actor
“And I think when I decided to become professional, my only aim, really, was to get better as an actor.” – Ian McKellen
Watch: Conversations with Tom Hardy, Emily Browning and Brian Helgeland of ‘Legend’
Tom Hardy, Emily Browning and writer/director Brian Helgeland talk about ‘Legend’ and the complex shoot that required Hardy to switch between roles seamlessly.
Mary McDonnell Talks ‘Major Crimes’, Transitioning Her Character From Villain to Hero and How Prepared She is When She Gets On Set
“It’s a constant examination of text and trying to make sure that I have the lines.” – Mary McDonnell on preparing for her scenes on ‘Major Crimes’
‘Kill the Messenger’ (Webb)
“You know, my first story was about a dog that shoulda died but wouldn’t. I was twenty-two.”
‘Kill the Messenger’ (Weil)
“I was you once, Gary. I started down this road, though nowhere near as far as you are. They tried to kill me”
‘Kill the Messenger’ (Meneses)
“A five iron. It is perfectly designed to pull off any shot, if you use it properly. A tool that can carve its way through any shot necessary.”
Lou Diamond Phillips Talks ‘Blindspot’, ‘Longmire’ and ‘The 33’
“I love playing bad guys because, you know, the gloves come off and there are no rules.” – Lou Diamond Phillips
‘Cocktails at Pam’s’ (Estelle)
“No, I don’t. I hate it. Actually, do you want to know what I really hate?”
‘Broadway Sings Sara Bareilles’ Sells Out NYC’s Highline Ballroom; Next Up: ‘Broadway Sings Billy Joel’
The singers were backed by musical director Joshua Stephen Kartes, who led an eleven-piece band and three powerful backup singers.