‘The Glass Menagerie’ (Tom)
“What do you think I’m at? Aren’t I supposed to have any patience to reach the end of, Mother?”
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‘The Performers’ (Chuck Wood)
“Oh boy, I promised Black Attack I wouldn’t cry, but . . . I was not expecting this.”
‘Are You Ready?’ (Woman)
“I’m the food critic for the Times, and I’ve been anxious for some time now to get my claws into the throat of that pompous evil weasel of a restaurateur…”
‘Arcadia’ (Valentine)
“If you knew the algorithm and fed it back say ten thousand times, each time there’d be a dot somewhere on the screen.”
‘Oleanna’ (Carol): “The issue here is not what I ‘feel.'”
“The issue here is not what I “feel.” It is not my “feelings,” but the feelings of women. And men.”
‘Oleanna’ (Carol): “Why do you hate me?”
“Why do you hate me? Because you think me wrong? No. Because I have, you think, power over you.”
‘In the Next Room’ (Catherine Givings)
“Do you want more children, Elizabeth? That is a tactless question, you don’t need to answer, forgive me, sometimes I say whatever is in my head.”
‘In the Next Room’ (Elizabeth): “My mother told me to pray”
“When I first met her all I could think was: she is alive and Henry is not.”
‘Red’ (Rothko): “All those bugs – ach!”
Master abstract expressionist Mark Rothko has just landed the biggest commission in the history of modern art
‘Red’ (Ken): “Bores you?!”
Rothko works feverishly with his young assistant, Ken, in his studio on the Bowery