“I miss terribly being in the room with actors. I love that more than anything, but I have seen so many more people, been exposed to so many people I didn’t know, hired people from places that I can’t be.”
A funny Us vs Them story that’s maddeningly frustrating with how the Them’s never really get into trouble because of the tilted scales of justice.
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Lane talks about the early beginnings of his one-man show, Triple Threat, playing people from his life (including younger versions of himself) and why he didn’t want to sugar-coat his story.
Richard Hicks chats about the challenges casting the show auditioning with self-tapes, getting re-directed and more.
Elizabeth Banks argues that the way to “make it” in acting is very different from when she came into the business.
Jesmille Darbouze on enjoying her role in A Doll’s House, her thoughts on why she almost stopped acting and her worst audition ever.
Lilah Fitzgerald discusses her love for Ghoulia in MONSTER HIGH, her role in Bob Odenkirk’s LUCKY HANK and the world of self-taping auditions
Benner and Romano talk about casting Harrison Ford and also get into auditioning actors and what it takes to bring them back again and again.
Mean Girls the Musical, Tina Fey’s adaptation of her hit 2004 film, is currently strutting its stuff at San Diego’s Civic Theatre and if you’re a fan of the film or Fey, it’s definitely a must see.
