Review: ‘Beetlejuice Beetlejuice’ is Back Back!
Keaton is still a whirling dervish, saying and acting out every impulse, still tossing out those one liners, left and right.
Keaton is still a whirling dervish, saying and acting out every impulse, still tossing out those one liners, left and right.
Gainey talks about the series, voice acting and how they created this unique audio experience.
Fabian, Kailey Rhodes, Diana Coconubo and director Ian Ebright discuss filming debate scenes, preparation, and the organic development of their characters.
The series is about a scam artist who’s been impersonating female executives in an attempt to lure actors and other victims with the promise of huge career opportunities.
The casting directors also talk about self-tape submissions and being adaptable in auditions.
“Research as much as you can, prior to auditioning. Especially in this age of self-taping… it’s really important to try to get that across on your self-tape.” – Casting Director Leah Daniels-Butler on Auditioning for Historical Dramas.
“I stepped away from L.A. and moved back to Australia when I was pregnant with my fourth child, so there were a few parallels with Helen Smallbone’s story,” Betts said.
“What stays with me really is when I feel like I’m in the presence of an artist… that you just realize, “Oh, this person’s really special. There’s something really that I can’t touch, I can’t talk about it, I can’t equate, but I feel it,” Papsidera said.
“You really want actors to do well. We want everyone to come in and do their best and do well and surprise us,” casting director Lucy Bevan said.
“[Braff] is a comedic ninja and to have our lead guy also be a super talented filmmaker in his own right? It was amazing to have that presence on set, just as a sort of a spiritual brother,” Wright said.