Q&A: Matthew Perry talks ‘Go On’, the Ups and Downs of a Career and the Biggest Lesson He’s Learned
Matthew on what he looks for in a character: “You kind of look for people that you can relate to”
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Interview: It’s Always Sunny’s Rob McElhenney and Glenn Howerton
Glenn Howerton and Rob McElhenney talk about coming up with plot ideas, if it’s easier for them to act in something they’ve written and more!
Matthew Fox on Playing the Heavy in ‘Alex Cross’: “It takes me a little while for the emotional stuff to bleed out”
Matthew Fox was busy filing two movies simultaneously early this year—World War Z and Alex Cross. Despite the horrible scheduling conflicts, he said in order to work on projects that excited him, it was definitely worth it.
Biography: Paul Dano
Paul Dano is currently in the midst of a long period of wildly varied, challenging, intriguing work.
Biography: Zoe Kazan
Ruby Sparks is the first screenplay written by Zoe Kazan. An acclaimed theater actress and 2005 graduate of Yale University, Zoe made her New York stage debut in 2006 in the Off-Broadway revival of The Prime of Miss Jean Brodie opposite Cynthia Nixon.
Robert Patrick on Becoming an Actor: “The guys who make it to the major leagues are not there because they are lucky”
I can’t help it — even though it was over twenty years ago now since the release of Terminator 2: Judgment Day, whenever I see Robert Patrick on screen I end up thinking of him as the T-1000. Though I don’t think he minds that one bit, Patrick has had a lot of great roles since then, and he is his usual stoic self as the General Manager for the Atlanta Braves in Trouble with the Curve, which stars Clint Eastwood.
Amy Adams talks about the research she did for ‘The Master’
In her career, Amy Adams takes on completely varied roles, jumping between comedy (Julie and Julia) and drama easily. Her newest role in Paul Thomas Anderson’s The Master required Adams to color in her own back story as the wife of a Scientology-like religious leader.
Shia LaBeouf Talks About the Lengths He’s Willing to Go to Be Respected as an Actor
There’s a famous, though embellished, story about classically trained actor Laurence Olivier and method actor Dustin Hoffman on the set of Marathon Man. According to the legend, Olivier asked Hoffman why he looked so tired on the set one morning, and Hoffman explained that he had stayed up the whole night in order to properly play a character who had stayed up all night. As a joke, Olivier replied something to the effect of, “Why not try acting? It’s much easier.”
Interview: ‘Ruby Sparks’ Zoe Kazan Talks About Her Screenwriting Debut and Her Worst “Soul Sucking” Survival Job
Zoe also discusses working alongside boyfriend Paul Dano and acting the words she writes