‘Crimes of the Heart’ (Babe): “Well, suddenly Zackery comes from around the side of the house”
“I wanted to kill Zackery, not myself ‘cause I__ I wanted to live!”
“I wanted to kill Zackery, not myself ‘cause I__ I wanted to live!”
“You’re a better guy than this. I can see it in your eyes.”
“Say mind if I use your phone? Figure I better check on the kids. No telling what devilment they’ve gotten up to.”
“I just can’t believe Nikki’s teaching that book to the kids.”
“So, listen, I’m sorry that I didn’t come see you down at the hospital.”
ROBERTA: Don’t lie to me. Jeannie told us all about your little panic attack last night. And I don’t blame you. It’s a perfectly natural reaction. In the beginning I had my own reservations. After all, as the veteran of two failed marriages, I have learned a lot about what
“Larry is like a little boy. Ever since our divorce, he thinks the only way he can get my attention is to cause a fuss.”
“Hey, Warren, how do you feel about these young punks taking over our jobs?”
“Well obviously I can’t take this. I mean, I didn’t do it for the money anyway…”
“You’re too perfect and you’re too imperfect.”
“Anyway it’s not just the sex. It’s that…this guy knows me.”
“I mean look, we’ve all been lulled into a false sense of security, me included.”
“I focused all my energy on destroying you so I could free myself from your relentless heartless indifference.”
“I can be the change I want to see. That one from a bumper sticker on her Volkswagen Jetta.”
“I’m very attractive. I am. I’ve always been that way but it’s no great big deal to me—if anything, it’s worked against me for most of my life.”
“After I shot Zackery, I put the gun down on the piano bench, and then I went out into the kitchen and made up a pitcher of lemonade.”
“Do you want more children, Elizabeth? That is a tactless question, you don’t need to answer, forgive me, sometimes I say whatever is in my head.”
A contemporary comedy of manners which explores sexual harassment, misplaced amour, and the possibility of a four sided love triangle.
A contemporary comedy of manners which explores sexual harassment, misplaced amour, and the possibility of a four sided love triangle.