Theater Review: ‘Beetlejuice’
The show is hilariously funny, thanks in large part to both Kobler and Esler. Kobler’s Beetlejuice breaks the fourth wall, makes inappropriate statements and literally says whatever comes to his mind at any given time.
The show is hilariously funny, thanks in large part to both Kobler and Esler. Kobler’s Beetlejuice breaks the fourth wall, makes inappropriate statements and literally says whatever comes to his mind at any given time.
Naomi Rodgers as Tina Turner has the voice, the moves and attitude down perfectly.
Crabtree-Ireland said that AI could not only replace most of the work for voice actors, but also manipulate their voices to create content without their consent.
Lane talks about the early beginnings of his one-man show, Triple Threat, playing people from his life (including younger versions of himself) and why he didn’t want to sugar-coat his story.
The audience loved every second of the show and one of the (many) reasons is because it empowers these women.
Richard Hicks chats about the challenges casting the show auditioning with self-tapes, getting re-directed and more.
I’m curious to see where things go with this Flash, especially with Miller’s troubles but if you’re looking to check it out, just sit back and enjoy the ride… or run.
As crazy as the political landscape in America is right now, re-introducing the 1969 musical 1776 to the masses was one heck of a good idea. This version of the show, though, comes with a Twist: an all female and gender non-conforming cast.
The Guardians are a family. It’s about friendship – always has been – and finding acceptance and love, even when you’re not looking for it.
Jesmille Darbouze on enjoying her role in A Doll’s House, her thoughts on why she almost stopped acting and her worst audition ever.
Lilah Fitzgerald discusses her love for Ghoulia in MONSTER HIGH, her role in Bob Odenkirk’s LUCKY HANK and the world of self-taping auditions
Benner and Romano talk about casting Harrison Ford and also get into auditioning actors and what it takes to bring them back again and again.
Mean Girls the Musical, Tina Fey’s adaptation of her hit 2004 film, is currently strutting its stuff at San Diego’s Civic Theatre and if you’re a fan of the film or Fey, it’s definitely a must see.
Jonathan Majors is freaking fierce. He’s got this calm, quiet rage that just feels like it wants to erupt.
Jeremy Davis talks about playing Olaf in the FROZEN US tour, costume mishaps, and how he makes the role his own.
Casting Director Kim Coleman talks about the puzzle of casting, finding actors to portray real people and self-tape and audition tips!
If you’re a theater lover and looking to kick the New Year in high gear, Ain’t Too Proud: The Life and Times of the Temptations is a great way to do that.
David Christopher Wells on his role, working with Richard Thomas and how being an understudy can feel like “jumping out of a plane.”
Gabriel and Hoss talk about their characters, playing powerful women and how they mapped out their roles for the globe-trotting season.
Each time I watch Lin-Manuel Miranda’s Pulitzer prize-winning musical, I walk away with a new found respect for it.