Acting coach Howard Fine has spent decades guiding actors to their full potential. He’s worked with some of the biggest names in Hollywood, including Michelle Williams, Kerry Washington and Bradley Cooper.
You would think pairing director Scott and Phoenix in a film about Napoleon would be a sure-fire bullseye.
The film is a quick and zippy ride that you and your family will absolutely get a kick out of.
The show absolutely hilarious and it’s hard to single out any cast member because they’re all exceptional, especially Christine Sherrill and San Diego native Alisa Melendez
The Marvels is wacky, doesn’t take itself too seriously and comes in at a brisk 100 minutes. And it’s loads of fun.
Lily Gladstone is the heart and soul of the movie. She’s got such a soulful and expressive face. As members of her family die one by one of mysterious circumstances, that soul behind her eyes slowly diminishes. Her performance is incredible.
Written by Aaron Jackson and Josh Sharp and directed by Larry Charles, Dicks the Musical can best be described as The Parent Trap as if it was filtered through John Waters’ brain.
Eponine has “such a special place in my heart, and so I get so excited to get to do it each time and bring something new to it,” Phoenix Best said as she was preparing for her return to the National Tour of LES MISÉRABLES.
“I miss terribly being in the room with actors. I love that more than anything, but I have seen so many more people, been exposed to so many people I didn’t know, hired people from places that I can’t be.”
I love how each of these films help to teach children one specific thing and not bombard them with dozens of themes and ideas like some other animated films.
The short film follows two gunmen, Ethan Hawke and Pedro Pascal, former friends and lovers who reunite after several years apart.
A funny Us vs Them story that’s maddeningly frustrating with how the Them’s never really get into trouble because of the tilted scales of justice.
The show is hilariously funny, thanks in large part to both Kobler and Esler. Kobler’s Beetlejuice breaks the fourth wall, makes inappropriate statements and literally says whatever comes to his mind at any given time.
Naomi Rodgers as Tina Turner has the voice, the moves and attitude down perfectly.
Crabtree-Ireland said that AI could not only replace most of the work for voice actors, but also manipulate their voices to create content without their consent.
Lane talks about the early beginnings of his one-man show, Triple Threat, playing people from his life (including younger versions of himself) and why he didn’t want to sugar-coat his story.
The audience loved every second of the show and one of the (many) reasons is because it empowers these women.
Richard Hicks chats about the challenges casting the show auditioning with self-tapes, getting re-directed and more.
I’m curious to see where things go with this Flash, especially with Miller’s troubles but if you’re looking to check it out, just sit back and enjoy the ride… or run.
As crazy as the political landscape in America is right now, re-introducing the 1969 musical 1776 to the masses was one heck of a good idea. This version of the show, though, comes with a Twist: an all female and gender non-conforming cast.
