Interview: Miles Robbins on ‘Daniel Isn’t Real’ and How He Prepares for an Audition
Miles Robbins chats about his role in Daniel Isn’t Real, how he prepared and what he does to get ready for an audition.
Interview: Javicia Leslie Talks ‘God Friended Me’, Moving to L.A. and Self-Tape Auditions
Javicia Keslie chats about God Friended Me, her journey from web-series to series regular and why self-tape auditions are the worst.
Movie Review: Clint Eastwood’s ‘Richard Jewell’
Hauser is absolutely brilliant as Jewell. It’s an understated performance. If he doesn’t get an Oscar nomination it’ll be a crime.
Interview: Michelle Danner on Her New Film, Finding Representation and Things Actors Can Do to Advance Their Careers
Michelle Danner on her new film, her acting school, and gives advice on finding representation and the best things actors can do to help their career.
Movie Review: Noah Baumbach’s ‘Marriage Story’
Adam Driver and Scarlett Johansson are perfect. Their performances are nuanced and genuine.
Movie Review: ‘It’s a Beautiful Day in the Neighborhood’ Starring Tom Hanks
There seems to be plenty of stories out there that might have made a better film about his life. But, this is the only one we get, then Tom Hanks as Fred Rogers is a mighty fine way to prolong his legacy.
Movie Review: Martin Scorsese’s ‘The Irishman’
It’s a shame it took this long for these talents to finally work together but the film is a masterpiece and proves, once again, why Scorsese is a truly one of the best directors we have.
Documentary Review: ‘Leonard Soloway’s Broadway’
Oh, what a life Leonard Soloway has lived. The legendary producer, who is now 90 years old, has had a career that’s spanned seven decades.
Documentary Review: ‘Somewhere in the Middle’
The film doesn’t break any new ground, it’s basically speaking to the choir. But that’s not a bad thing at all.
Interview: Giancarlo Esposito on ‘Creepshow’ and How He Transforms When He Puts on His Character’s Wardrobe
Giancarlo Esposito chats about Creepshow, how he loved the “guerrilla” style filmmaking of the show and loving his turn in the horror-genre!
Interview: William Fichtner on His Directorial Debut, ‘Cold Brook’, Learning Curves and His Worst Audition Ever
William Fichtner talks about Cold Brook, his biggest learning curve as a director, working with the cast and his worst audition ever.
Theater Review: Blue Man Group is ‘Speechless’
The Blue Man Group played to a packed crowd on the recent visit to the Civic Theatre. And they’re touring show, Speechless, did not disappoint.
Interview: Shannon Tarbet on ‘Love is Blind’, How She Prepares for a Role and That Time She Did a One-Woman Show
Actress Shannon Tarbet chats about how she got the role and what she did to prepare, theatre and that time she did a one-woman show.
Interview: Daniel Webber Talks ‘Danger Close’, Audition Prep and Challenges of Playing a Real Person
Actor Daniel Webber chats about his role in Danger Close, the huge responsibility of portraying a real person and how he prepares for an audition.
Interview: Matthew Alan on ‘Castle Rock’ and His Biggest Problem as an Actor
Matthew Alan talks about his role in Castle Rock, how he found acting and how he is able to “get out of” his head for auditions.
Movie Review: ‘Inside Game’
If the Lifetime network ever made a movie specifically for men, Inside Game would be that movie.
Movie Review: ‘Buck Run’
It’s really about the performances and both Le Gros and Lyons are wonderful. And director Frangione really seems to know this world, showing its bleakness in every scene.
Movie Review: ‘Philophobia’
The film, which screened at the San Diego Film Festival, features a fantastic cast of young actors that are sure to make their mark.
Interview: Abby Quinn on ‘After the Wedding’, Creating a Character and What She Learned From Michelle Williams and Julianne Moore
Actress Abby Quinn also talks about the learning curve of working on a sitcom, auditioning and working with her acting coach!
Theatre Review: ‘Anastasia’
The performances, however, won’t be the only thing you’ll be talking about after the show. The physical set, which is basically just an arch, is benefited by multiple on-stage projections